Wondering what numbers have to do with something so focused on words as a blurb?
A blurb can have a special form, as we saw with Divergent‘s. That means it can be balanced or assymetrical. Lines can be counted. Words in a line.
Balance often depends on counting–inches left or right, number of stripes of dark vs light, three vases on the left and three on the right of the mantel’s center. Balance.
If a story has numerical significance, numbers may take on another function: a reflection of the story. (We saw some of that even with Divergent.)
Here’s another YA novel, this one sci-fi:
Story Questions raised: Who are these mysterious, anonymous ones called “we” in the blurb? Who is this “last stand” against? Who is the “you?”
The stakes: everything. “If we lose, all is lost.” “You” can only be saved if the “We” win.
The tone: suspenseful, cautionary.
This blurb, like Divergent‘s, gives no names of characters. Only the sense of huge stakes and a group that can make a difference for life or death. The “we.”
Count up the “we’s.” Nine.
This is the blurb for I Am Number Four.
The series of which I Am Number Four is the first novel is full of numbers. The main character is one of nine gardes who have travelled to Earth. They are aliens living as if human among humans. Three are killed, and the book tells the story of the fourth one, Number Four, as he struggles to stay alive.
And numbers matter, too, because of the order in which the gardes are killed: they must be sequential. The assassins must start with one and work up or there are consequences.
“You” = humans on earth.
Reviews were not unanimously positive, but one thing they seemed to agree on: the storytelling was fast-paced, “propulsive.” So, again, we have back cover that reads along quickly, not a lot of filler text. Pace of blurb reflecting pace of story.
The numbers add up on this one, don’t you think?
They add up again on this sequel:
This is the blurb for The Power of Six. Let’s count again:
The Balance: THEY used four times to start sentences. WE used four times.
In between, like some protective barrier between killers and prey, one all white, all caps line (of two sentences) starting with I, who self-identifies as number SEVEN, one of SIX left alive, since THREE are dead.
Now squint at that blurb.
Do the lines of white text form a roughly angular six-like shape to you?
They do to me.
The blurb fills us in on the plot’s progress. THEY, those killing the nine, have learned some things (the charm, the legacies) and succeeded in killing three. One side of that balanced equation.
The other side, WE, the same we from the first novel, is growing stronger, coming together, and ready to fight.
We still don’t have names, and we don’t know the particular powers they are talking about, but we know it’s heating up and getting more dangerous for the protagonists (the numbered ones).
Of course, this book has a special connection to numbers. But maybe yours does, too.
I recall some titles that had numerical associations: THE LIST OF 7; A TALE OF TWO CITIES; and THE FIVE.
If yours has something numerically significant–triplets, a poet who always writes in four-line stanzas, an OCD character who has to count to five before making a decision, a kingdom divided in civil war with two kings and two queens, a detective agency called the Six Solvers, etc–maybe you can make that work in your blurb.
Think about it.
One more example of the numerical blurb to come with the next blog post–for mystery fans.
Get today’s book here: I Am Number Four (Lorien Legacies)